Real cuts · real footage

Real DJ-set and festival multicam editing examples.

Five full production clips: the latest DJ-set example from @max.drew, a clip from @js.view_, alongside Pretty Pink at Creamfields and INPARALLEL at Reading and Creamfields.

Updated Oct 2026·5 full clips · 0:57–1:26·Premiere Pro

These clips come from exported production edits built from MultiCam timelines. They show the result where it matters: shot choice, camera rhythm and coverage changing through the music. Press play to watch each clip in full with sound, including the musical lead-in and the camera changes that follow. These are complete exported clips, not entire festival sets.

01 · DJ set · Full clip · 1:01

From the booth to the crowd.

A full landscape DJ-set clip supplied for the MultiCam examples. Watch the performance and crowd coverage with the original audio retained.

Credit: @max.drew.

Landscape deliveryDJ setFull clip with sound

Try MultiCam on your next set →

02 · DJ set · Full clip · 0:57

A new perspective on the set.

A full landscape DJ-set clip supplied for the MultiCam examples. Watch the camera changes through the performance, with the original audio retained.

Credit: @js.view_.

Landscape deliveryDJ setFull clip with sound

Try MultiCam on your next set →

03 · Pretty Pink · Creamfields · Full clip · 1:06

A vertical cut that stays with the performance.

The edit moves between deck detail, profile and wider stage frames while keeping Pretty Pink at the centre of the sequence. The changes create motion without losing the performer.

This 9:16 delivery also shows why camera selection matters before reframing: the useful action remains readable in a narrow social crop.

Vertical deliveryDeck cameraStage coverage
04 · INPARALLEL · Reading · Full clip · 1:04

Wide scale, deck detail and crowd energy.

Watch INPARALLEL at Reading with the editing breakdown →

The landscape sequence alternates performer-led angles with a full-stage crowd view. It gives the edit scale, then returns to the artists so the performance still feels immediate.

Watch how the shot sizes change. Strong multicam pacing comes from varying perspective as well as varying duration.

Landscape deliveryCrowd widePerformer close-up
05 · INPARALLEL · Creamfields · Full clip · 1:26

A festival cut that keeps the crowd in the story.

This vertical clip switches between the DJs, the deck and the audience. The crowd views establish the size and response of the room instead of using performer angles alone.

The result is still a normal Premiere Pro sequence. Every edit point can be trimmed, replaced or extended before delivery.

Vertical deliveryFestival crowdEditable timeline
About these examples: the latest DJ-set clip is credited to @max.drew. The preceding DJ-set clip is credited to @js.view_. The Pretty Pink and INPARALLEL footage is from INNNFOCUS productions. These full clips are taken from exported edits, not synthetic demonstrations. They show finished camera cutting rather than a controlled before-and-after test. As with normal professional delivery, the timelines may include editor refinements after generation.

What to look for in a multicam cut

01 · CONTINUITY

Clean handovers

Each switch should preserve the action and avoid a visible gap, repeated frame or late camera change.

02 · RHYTHM

Musical pacing

The edit should respond to energy and phrasing without switching mechanically on every beat.

03 · COVERAGE

Useful variety

Wide, performer, deck and crowd angles each have a job. Good selection makes the sequence feel intentional.

Pretty Pink & INPARALLEL examples: Jack Hanley-Walsh / INNNFOCUS

Multi-camera live music production and the real production footage used to test and shape MultiCam by Cevylo.

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