Drop in every angle. The MultiCam plugin for Adobe Premiere Pro syncs by sound, reads the music, and delivers a beat-matched multicam edit — a real, editable timeline, right inside your project.
The beta now covers the complete first-cut workflow, including recovery tools, learned styles, test builds, finishing zooms and an in-plugin feedback loop.
Aligns every angle by its own audio — no clapperboards, no timecode, no manual nudging. Frame-accurate.
Reads the drops and builds in the music, then places cuts that move with the energy of the set.
Tag wide, close, crowd, stage. Pick a genre feel. It respects your roles when choosing shots.
Import clips or use an open timeline, choose horizontal or vertical presets, auto-sync to A1, or continue from a manual sync.
Control intensity, variety, DJ-to-crowd balance and beat offset. Generate a short test section before committing to the full set.
Add finishing zoom keyframes, approve what works, or describe a weak cut and send that feedback into the next edit.
Import cameras or use the open timeline, choose a delivery format and sync to the A1 master.
Map video tracks to camera roles and weight which angles the edit should favour.
Choose genre and learned style, then tune intensity, variety, balance, timing and test length.
A beat-matched MultiCam CUT is written directly into Premiere.
Add zoom keyframes, approve the result, or leave feedback and re-edit.
Choose clip length and count, select by energy or even spread, then create a new HIGHLIGHTS timeline.
Apple Silicon Mac (M1+) · Adobe Premiere Pro 2024+. Intel Mac, Windows and DaVinci Resolve support are coming soon.
No. Editing and media analysis run locally on your Mac. Internet access is used for the account and licence check, updates and optional beta feedback—not to upload your footage.
Right now: macOS with Adobe Premiere Pro 2024 or newer. Windows and DaVinci Resolve support are coming soon.
Up to 3 angles on Basic, 5 on Pro and 12 on Max. The plugin recognises each file as its own angle automatically.
Fully editable. You get a real Premiere Pro timeline with every cut in place, plus optional zoom keyframes. Refine, trim, undo and regenerate anything.
Yes. Choose a 5, 10, 20 or 30-minute test build, then adjust the style and generate again before committing to the full timeline.
Beta access is invite-only. Selected testers may receive free access during the private beta; paid plans start when public access opens.
Yes — that's exactly what MultiCam is. Most auto-editing plugins are built for podcasts and interviews and switch cameras when someone speaks. MultiCam is built for music: it syncs every angle by audio, reads the track's energy and beat grid, and writes a beat-matched multicam cut straight into your Premiere Pro timeline.
Every camera that recorded audio carries a fingerprint of the room. MultiCam aligns each angle's waveform against the master audio track, which makes sync frame-accurate without clapperboards, jam-synced timecode or manual nudging — even for phones and action cams.
Anything cut to music: DJ sets, club nights, concerts, festival stages and live sessions. If the edit should move with the track — builds, drops, energy — MultiCam was built for it. For talking-head podcasts, a speech-driven tool is a better fit.
Most automatic editing tools for Premiere Pro are made for podcasts and interviews: they detect who is speaking and cut to that camera. Point them at a DJ set or a live show and they have nothing to hold on to — nobody is "speaking", because the energy lives in the music.
MultiCam approaches multicam editing the way a music editor does. It syncs every angle by its audio waveform — no timecode or clapperboards needed — then analyses the track itself: beats, bars, builds and drops. The cut it generates follows the energy of the set, switching angles on the beat, holding wide shots through builds and hitting close-ups on the drop.
The result is not a locked export. It's a real Premiere Pro sequence with every cut editable — trim it, re-order it, regenerate sections, add finishing zooms, or pull a highlights reel for socials. Comparing tools? Our honest breakdown of the best multicam plugins for Premiere Pro covers when a speech-driven editor is the right choice and when a music-driven one is. New to the workflow? Start with the complete guide to automatic multicam editing in Premiere Pro.